Imagery

Imagery is the literary device of using vivid sensory language. Less commonly known as enargia, it is figurative language that evokes a mental image or other kinds of sense impressions in the reader or listener. Imagery in narrative literature can also be instrumental in conveying tone, mood, and other literary elements. In order to show this, writers use accompanying forms of figurative language to convey a certain message, idea, situation, setting, aesthetic, among others. That way, writers are able to get the readers to understand the ideas being conveyed without the original intent being lost.

Uses with Other Forms of Figurative Language

Imagery with Metaphors & Similes: provides specificity to whatever the reader is imagining because of comparisons presented.

Imagery with Symbolism: the underlying meaning placed onto something/someone as a result of symbolism creates a connection with a specific idea to a broader concept.

Imagery with Rhythm: creates an atmosphere for the reader as well as setting the pace/flow for a text.

Types

There are five major types of sensory imagery, each corresponding to a sense, feeling, action, or reaction:

• Visual imagery pertains to graphics, visual scenes, pictures, or the sense of sight.
  • Builds the setting of the story as well as the characters that are a part of the story.
  • One of the most commonly used types of imagery.
• Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia).
  • Dialogue can give depth to interpersonal relationships and conflicts that arise between characters.
• Olfactory imagery pertains to odors, aromas, scents, or the sense of smell.
  • Intensifies the vividness of the setting, and plants the readers within the story.
• Gustatory imagery pertains to flavors or the sense of taste.
• Tactile imagery pertains to physical textures or the sense of touch.
  • Amplifies intimacy between characters as well as the world around them.

Other types of imagery include:

• Kinesthetic imagery pertains to movements.
  • Can increase pacing within a text, as well as giving life to the scenery provided to readers.
• Organic imagery / subjective imagery, pertains to personal experiences of a character's body, including emotion and the senses of hunger, thirst, fatigue, and pain.
• Phenomenological, pertains to the mental conception of an item as opposed to the physical version.
• Color imagery is the ability to visualize a color in its absence.

3 Necessities for Imagination

• Directedness: putting the imagination's focus on a specific person, place, thing, event, etc.
• Activity: because one is imagining something, they are actively exercising the muscle that is their brain.
• Phenomenology: while one is imagining something, they can relate it to something that is relatively similar to it.

Further reading

• Wells, H. G. (Herbert George) (20 July 2021). The time machine. ISBN 978-1-7225-2491-3. OCLC 1261367980.

External links

• Fieser, James; Dowden, Bradley (eds.). "Imagery and Imagination". Internet Encyclopedia of Philosophy. ISSN 2161-0002. OCLC 37741658.
• Thomas, Nigel J.T (Winter 2011), "Mental Imagery", in Zalta, Edward N. (ed.), Stanford Encyclopedia of Philosophy, Stanford University, retrieved February 16, 2012
• Belyaev, Igor A. (2020), "Human-sizedness as a principle of existance [sic] for literary-artistic image, Proceedings of the Philological Readings (PhR 2019), EPSBS European Proceedings of Social and Behavioural Sciences, London, 19–20 September 2019, pp. 560–567.
• What is Imagery?: Oregon State Guide to English Literary Terms